Amour won the National Society of Film Critics Best Picture award and seemingly every foreign-language film award there was for 2012. While Michael Haneke’s last film, Das weiße Band – Eine deutsche Kindergeschichte (Germany/Austria/France/Italy 2009) was a pretentious, lackluster effort, his Cache (France/Austria/Germany/Italy/USA 2005) was a truly excellent film. As a result, I went into…