In short: It’s fun for a fan of the original film and/or franchise and generally a good film, but it’s not as focused and powerful as it could be. Continue reading
Charles Chaplin has become a misunderstood figure in Hollywood history. He is remembered as the Little Tramp character the he played in several silent films, a character whose physical comedy high jinks are often still delightful and reveal Chaplin’s incredible performance skills. However, he was not just a circus performer. He was much more.
Those who learn more about Hollywood history will probably first encounter Chaplin as a legend who was a victim of the Red Scare of the ’40s and ’50s. He was a man who had been a Hollywood legend but then was exiled from the United States and his latter-day masterpiece Limelight (USA 1952) banned from distribution on the basis of his supposed political views. Continue reading
Even like the deed that’s done. On Tuesday last,
A falcon, tow’ring in her pride of place,
Was by a mousing owl hawked at and killed.
And Duncan’s horses–a thing most strange and certain–
Beauteous and swift, the minions of their race,
Turned wild in nature, broke their stalls, flung out,
Contending ‘gainst obedience, as they would
Make war with mankind
‘Tis said they eat each other.
They did so, to th’ amazement of mine eyes
That looked upon ‘t.”
–Macbeth Act II, Scene iv
Such is the response of nature to Macbeth’s sin against it in murdering his king. In Shakespeare, nature is often responding to man’s actions. In this case, killing a king who rules by divine right was such an unnatural action that nature responded with unnaturally powerful storms and a series of odd violent actions by non-human animals. This idea of the interconnectedness of nature with man’s actions permeates The Revenant, a Shakespearean revenge drama as bloody, obvious, and tense as Titus Andronicus. Continue reading